Any of these women by the side of a pretty commoner was for him what are, hanging beside a contemporary canvas representing a procession or a wedding, those old pictures the history of which we know, from the Pope or King who ordered them, through the hands of people whose acquisition of them, by gift, purchase, conquest or inheritance, recalls to us some event or at least some alliance of historic interest, and consequently some knowledge that we ourselves have acquired, gives it a fresh utility, increases our sense of the richness of the possessions of our memory or of our erudition. M. de Charlus might be thankful that a prejudice similar to his own, by preventing these several great ladies from mixing with women whose blood was less pure, presented them for his veneration unspoiled, in their unaltered nobility, like an eighteenth-century house-front supported on its flat column of pink marbles, in which the passage of time has wrought no change.